Gold leaf for iconography is an essential material for the creation of sacred icons, artistic works, and restoration projects that require quality and authenticity. Used for centuries in the Byzantine and Orthodox artistic tradition, gold leaf for icons makes it possible to create luminous and deep surfaces that enhance the symbolic and spiritual meaning of the artwork. Made from the highest-quality gold, gold leaf designed for iconography is developed to ensure excellent results with water gilding techniques, the traditional method used by iconographers. Thanks to precise craftsmanship and carefully calibrated thickness, this gold leaf ensures uniform application and outstanding aesthetic results, with intense reflections that enhance the beauty of gold on gilded surfaces.
Gold leaf for icon gilding stands out for its homogeneity and high production quality, essential characteristics for artists, restorers, and specialized workshops. Each leaf is produced to ensure a compact and regular surface, minimizing imperfections and facilitating application during the working process. The result is a bright, continuous gilding with a strong visual impact.
This type of gold leaf for iconography is designed for professional iconographers, restorers, artistic workshops, gilding studios, and religious institutions that require reliable materials in line with artistic tradition. Thanks to the high quality of the gold and precise production process, it guarantees a uniform, luminous, and long-lasting gilding, ideal for the creation of icons, sacred decorations, and restoration work. A professional solution that enhances every artwork while ensuring excellent aesthetic performance in artistic gilding.

Italian bole

Italian bole

Bole is a specific type of clay used as a base for gold leaf in the water gilding technique. It is applied to the surface to be gilded which has previously been prepared with gesso. Bole allows the leaf to adhere to the surface over time and helps achieve a brighter finish to the gold in the burnishing phase.

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Italian bole
Rabbit skin glue

Rabbit skin glue

Glue in flakes of animal origin used as base element for the preparation of various gilding products including glue for the gouache technique.

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Rabbit skin glue
Gypsum for gilders

Gypsum for gilders

Powder gypsum for the preparation of base materials for gouache gilding (priming).

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Gypsum for gilders
Burnisher

Burnisher

Wooden tool with a polished agate stone tip designed for the polishing of gilding done with the gouache technique.

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Burnisher

"Cimabue" art brushes

Cimabue is a round brush with a long tip in synthetic Teijin bristle and short handle, recommended for retouching and detailing and for panel iconography.

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"Masaccio" art brushes

Masaccio is a round brushes with a short tip in synthetic Teijin bristle and short handle, recommended for retouching, detailing, and iconography on wood panel.

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"Pontormo" art brushes

Pontormo is a flat brush in synthetic kazan squirrel bristle and short handle, recommended for iconography on wood panel.

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"Vasari" art brushes

Vasari is a round brush with a flat tip in synthetic kazan squirrel bristle and a short handle, recommended for panel iconography.

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"Botticelli" range of brushes

Botticelli is a round threading brush with extra long tip in Teijin synthetic bristle and short handle, recommended for panel iconography.

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Gold leaf for iconography

Gold leaf for iconography

To achieve the so-called "mirror effect", the gold leaves must have such a weight and uniformity that they do not present defects once applied over the icon.

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Gold leaf for iconography
Round synthetic squirrel hair gilder’s mop

Round synthetic squirrel hair gilder’s mop

In synthetic hair with a round shape, it replicates the characteristics of natural fur in an almost identical way.

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Round synthetic squirrel hair gilder’s mop
Bole in powder

Bole in powder

Clay powder to be rehydrated, used as a clay-based ground preparation for water-gilding on wooden supports already treated with gesso (ammanitura).

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Bole in powder

The introduction of gold leaf specifically for icons responds to the needs of master iconographers, as well as of those who simply wish to approach this ancient art form, by offering a product with distinctive qualitative features, different from the traditional gold leaf used in restoration or other applications. The gilding of icons on panel or fresco is in fact an age-old and intricate technique that demands a leaf with precise quality standards, as well as great precision and artistic mastery. Produced in a slightly higher thickness, the gold leaf is carefully selected to eliminate imperfections, thereby facilitating the creation of smooth and homogeneous gilded surfaces. By tradition, this work is most often carried out with the water gilding technique, which allows for a luminous, brilliant finish.

Made in Italy craftsmanship

Made in Italy craftsmanship

Certified and responsibly sourced gold

Certified and responsibly sourced gold

Worldwide shipping

Worldwide shipping

Customer support

Customer support

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