Gold leaf gilding is a traditional technique used for centuries in restoration and artistic decoration, capable of enhancing surfaces and valuable objects. It can be applied on various decorative art supports, such as wood, canvas, paper, ceramics and other materials, and is used in the creation and restoration of frames, furniture, sculptures and ornamental elements. Thanks to its versatility, gold leaf creates luminous, elegant, and detailed surfaces, enriching every object with refined and lasting reflections.

Gilding can be carried out using several traditional techniques passed down by artisans. Water gilding, which uses bole as a base, produces highly polished and durable surfaces, ideal for restoration projects and high-level craftsmanship. This method also allows the surface to be polished with agate stones, highlighting carvings, decorations, and details of gilded supports. Oil gilding, on the other hand, uses specific adhesives and stands out for its speed and ease of application, providing uniform and elegant results suitable for both artisanal projects and contemporary decorative works.

In the restoration of gilded objects, gold leaf remains essential: artisans and restorers use it for the recovery and preservation of antique frames, period furniture, sculptures and artistic objects, restoring brilliance, authenticity and historical value.

Gold leaf for gilding and restoration is therefore the ideal choice for artisans, restorers and professionals who want to combine tradition, precision, and high-quality aesthetic results, obtaining high-quality gilded surfaces on various materials for any type of decorative project.

Gold leaf booklets

Gold leaf booklets

Available in various formats and thicknesses the genuine gold leaf booklets are ideal for restoration, for oil gilding and water gilding on elaborated surfaces and for transfer leaf application on flat surfaces both indoors and outdoors. Each booklet contains 25 leaves.

DETAILS
Gold leaf booklets
Gold powder and shells

Gold powder and shells

To apply with a brush, powders and shells are the best formats for any retouching and for carved or highly irregular surfaces.

DETAILS
Gold powder and shells
French cut leaf

French cut leaf

French cut leaf has always been widely used by French gilders, who apply it directly from the booklet without the use of tools. Each book contains 25 leaves.

DETAILS
French cut leaf
Silver leaf books

Silver leaf books

Available in various formats and thicknesses the pure silver leaf books are ideal for restoration, for oil gilding and water gilding on elaborated surfaces and for transfer leaf application on flat surfaces both indoors and outdoors. Each book contains 25 leaves.

DETAILS
Silver leaf books
Silver powder and shells

Silver powder and shells

To apply with a brush, powders and shells are the best formats for any retouching and for carved or very irregular surfaces.

DETAILS
Silver powder and shells
Genuine silver schabin

Genuine silver schabin

Silver schabin is ideal for silver leafing which does not require perfect leaf geometry.

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Genuine silver schabin
Platinum leaf books

Platinum leaf books

Available in a range of formats and thicknesses, platinum leaf, either loose or transfer, is applied using the oil gilding technique. Each book contains 25 leaves.

DETAILS
Platinum leaf books
Palladium leaf books

Palladium leaf books

Available in a range of formats and thicknesses, palladium leaf, either loose or transfer, is applied using the oil gilding technique. Each book contains 25 leaves.

DETAILS
Palladium leaf books
Palladium french cut leaf

Palladium french cut leaf

Preferred by the most expert gilders, the french cut palladium leaf is especially popular with French gilders. Each book contains 25 leaves.

DETAILS
Palladium french cut leaf
Bole polish brush

Bole polish brush

It is indicated for control and precision during the bole burnishing phase. It is used after applying the last coat of bole, with delicate circular movement, so as to obtain an even more brilliant final gilding effect.

DETAILS
Bole polish brush
Italian bole

Italian bole

Bole is a specific type of clay used as a base for gold leaf in the water gilding technique. It is applied to the surface to be gilded which has previously been prepared with gesso. Bole allows the leaf to adhere to the surface over time and helps achieve a brighter finish to the gold in the burnishing phase.

DETAILS
Italian bole
Rabbit skin glue

Rabbit skin glue

Glue in flakes of animal origin used as base element for the preparation of various gilding products including glue for the gouache technique.

DETAILS
Rabbit skin glue
Gypsum for gilders

Gypsum for gilders

Powder gypsum for the preparation of base materials for gouache gilding (priming).

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Gypsum for gilders
Wunda size

Wunda size

Gilding glue for interiors on wood, clay and stucco.

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Wunda size
Water-based size

Water-based size

Suitable for interior gilding on wood, clay and stucco.

DETAILS
Water-based size
Dewaxed shellac in flakes

Dewaxed shellac in flakes

Shellac is used both to insulate porous surfaces prior to size application and to polish and subtly protect finished gold leaf. As compared to ordinary shellac, dewaxed shellac produces a more transparent and virtually colourless result once applied and dried.

DETAILS
Dewaxed shellac in flakes
Dewaxed shellac in solution

Dewaxed shellac in solution

Shellac in ready-to-use solution recommended to subtly protect and polish leaf gilding, both precious metal and imitation. Once dry it enhances surface warmth subtly.

DETAILS
Dewaxed shellac in solution
TN shellac in flakes

TN shellac in flakes

Shellac is used both to insulate porous surfaces prior to size application and to polish and subtly protect finished gold leaf. Once dry it enhances surface warmth subtly.

DETAILS
TN shellac in flakes
TN shellac in solution

TN shellac in solution

Shellac in ready-to-use solution recommended to give shine and light protection to gilding, both precious metal and imitation. Once dry it gives a warm tone to the surface, a grade browner compared with dewaxed shellac.

DETAILS
TN shellac in solution
Burnisher

Burnisher

Wooden tool with a polished agate stone tip designed for the polishing of gilding done with the gouache technique.

DETAILS
Burnisher
Synthetic bristle

Synthetic bristle "Ambra" brush

Synthetic squirrel hair brush (Kolinsky sable synthetic brush) for an even application of the size, recommended for smooth and compact surfaces.

DETAILS
Synthetic bristle
Flat synthetic vaio hair bowler

Flat synthetic vaio hair bowler

This tool is available in various sizes and is designed to help the leaf to adhere to the support, especially where cavities are present on the gilding surface.

DETAILS
Flat synthetic vaio hair bowler
Flat squirrel hair gilder's mop

Flat squirrel hair gilder's mop

This tool is available in various sizes and is designed to help the leaf to adhere to the support, especially where cavities are present on the gilding surface.

DETAILS
Flat squirrel hair gilder's mop
Round synthetic squirrel hair gilder’s mop

Round synthetic squirrel hair gilder’s mop

In synthetic hair with a round shape, it replicates the characteristics of natural fur in an almost identical way.

DETAILS
Round synthetic squirrel hair gilder’s mop
Round squirrel hair gilder's mop

Round squirrel hair gilder's mop

Gilder’s mop in very soft squirrel hair with short transparent varnished handle and natural quill binding.

DETAILS
Round squirrel hair gilder's mop
Synthetic bristle

Synthetic bristle "Perla" brush

Synthetic bristle brush for applying the size on smooth and compact surfaces.

DETAILS
Synthetic bristle
Water-based protection

Water-based protection

The water-based protection provides excellent spreadability and adhesion on gilded surfaces, particularly with precious metals. Being free of synthetic components, it is gentler and alters the natural brightness of gilded surfaces less. It is UV resistant and does not yellow or flake, and is available in both gloss and matte versions. Ready to use, it is ideal for professionals, beginners, and hobbyists. Ideal for indoor gilding, yet also suitable for outdoor applications.

DETAILS
Water-based protection
Colour chart - Precious metal leaf

Colour chart - Precious metal leaf

Useful for professional gilders and hobbyists, this colour chart allows for comparing the shade, tone, sheen, and brilliance of precious metal leaf. The chart includes samples of leaf in various precious metals, such as 24kt yellow gold, 23.5kt orange gold, 22kt rose gold, 22.5kt champagne gold, 12kt white gold, platinum, and palladium. Dimension: 30 x 21 cm

DETAILS
Colour chart - Precious metal leaf

"Gihiberti" art brushes

Ideal for applying bole, these brushes are designed with soft, durable bristles to ensure an even application and to prepare surfaces for gilding. The brushes feature a nickel-plated brass ferrule and a blue-painted wooden handle. Ghiberti is a round brush with synthetic Kazan squirrel bristle bristles, suitable for applying bole on carved surfaces or smaller areas.

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"Verrocchio" art brushes

Ideal for applying bole, these brushes are designed with soft, durable bristles to ensure an even application and to prepare surfaces for gilding. The brushes feature a nickel-plated brass ferrule and a blue-painted wooden handle. Verrocchio is a flat, long brush with synthetic Kazan squirrel bristle bristles, ideal for applying bole on larger surfaces.

DETAILS
Bole in powder

Bole in powder

Clay powder to be rehydrated, used as a clay-based ground preparation for water-gilding on wooden supports already treated with gesso (ammanitura).

DETAILS
Bole in powder
Canvas - Size for paper and canvas

Canvas - Size for paper and canvas

Ready-to-use size for gilding with a glossy effect on paper, canvas, parchment, leather, and other surfaces. Its elasticity ensures a durable gild, ideal for illuminated manuscripts: pages can be turned without the risk of damaging the gold leaf applied.

DETAILS
Canvas - Size for paper and canvas

Gold leaf gilding is a traditional technique widely used in the restoration and conservation of artistic works, as well as in the creation of new decorative elements. Used on various materials such as wood, paper, canvas, ceramics and other decorative art supports, it is applied in the restoration and enhancement of frames, furniture, sculptures and ornamental elements. Gold leaf can be applied using two main techniques: water gilding, which involves the use of bole and allows highly polished and refined finishes, and oil gilding, which uses specific adhesives and allows a simpler and faster application. Water gilding and the traditional preparation products have long been used by skilled craftsmen for the restoration and renewal of antique and valuable works.

Made in Italy craftsmanship

Made in Italy craftsmanship

Certified and responsibly sourced gold

Certified and responsibly sourced gold

Worldwide shipping

Worldwide shipping

Customer support

Customer support

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